simon_doctor (
simon_doctor) wrote in
ways_infirmary2007-03-25 10:54 pm
(no subject)
[From here.]
"Set her down there, please," Simon throws over his shoulder, as he heads for the supply cabinet to pull out a pair of sterile gloves and a premeasured ampule of anaesthetic.
"Set her down there, please," Simon throws over his shoulder, as he heads for the supply cabinet to pull out a pair of sterile gloves and a premeasured ampule of anaesthetic.

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So what if he was only late by an hour or three. It feels like an hour or three, to Mal, so he got tired of pacing around in the bar waiting for anything to happen and made his way to the Milliways infirmary.
One can't functionally tape revolvers to one's chest, and Mal doesn't try. He instead straps the marginally more modern-looking pistol using about a half of a roll of tape to hold the gun -- safety on, that's important -- directly above his navel.
Mal hears the noises of someone approaching the infirmary but doesn't take the time to look up.
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He voice is hoarse and tired, "You do not need that, Mal."
He moves to put Kitty down on the table Simon pointed out.
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She's at least vaguely aware that's not true, and she's still trying a bit to squirm away.
She can't help it.
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He slots the ampule into a spray injector, hands it to Mal. "Dope her. No, wait -- Piotr, do you know if they've drugged her at all?"
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"Just the collar."
"And the Negative Zone."
He collapses in a chair next to Kitty, right a bit in everyone's way, and doesn't seem like he's going to move anytime soon.
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Mal pulls back almost immediately, standing to one side -- a traditional stance of his when Simon's got a bigger role than he does.
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She's not saying anything. There's nothing to say.
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Leaving Simon to do his. There's a great deal of work to do: multiple minor lacerations about the face to clean and close, a broken nose to set, bruises to examine for internal bleeding, primarily the mangled mess of the leg to reassemble.
It takes time.
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The anaesthetic is fast, but not fast enough to stop her from saying, "I don't want to sleep," but really--she doesn't have a choice.
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The adrenaline is no longer pumping like mad, Kitty is in good hands, and he hasn't really slept in several days.
"I am--I am staying here. Is okay?" His english is starting to slip.
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He's already started working on her leg, cutting and tweezing away the remains of the fabric that covered it.
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He pushes his chair back slightly, lets his chin drops to his chest, and he is deeply asleep.
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Kitty sleeps, whether she likes it or not.
When she wakes, it's slowly, and she can't figure out where she is. Can't figure out why it's hard to move. Can't figure out why it's different.
She still tries to sit up before discovering that's not an option.
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Simon's face comes into view, over the bed.
"How're you feeling?"
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Kitty can do that.
Kitty also can blink at Simon repeatedly for a minute as she tries to process this.
"...Like shit," she decides on after a minute.
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Simon's voice is very, very calm.
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He suits action to word, moving down to examine the results of his handiwork. "Can you move your feet, Kitty?"
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She doesn't like how aware she is of moving things, of how there's thought and not just action.
"I'm fine."
She doesn't care if that's a lie.
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He moves back towards her head, and looks her in the eye.
"Kitty, when you phase, what does that do to your ability to heal?"
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It's one of the many, many things he's worried about.
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"In that case," he says as he comes out with a screwdriver in one hand, and doesn't finish the sentence.
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Instead she just looks at him and it's pure hope and she doesn't know.
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The collar's unfamiliar in design and difficult to manipulate and Simon doesn't really care right now because it. Is. Coming. Off.
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Because then the nausea that's been constant is gone and then the faint buzzing is gone and then it's not touching it's not weighing and then Kitty's phased and more than she's been for years without need, just barely remembering that it unnerves people if she starts to look like mist, and her face lights up and she can breathe and she doesn't pay attention to the buzz in the back of her skull from a different thing and it's okay.
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"Better?" he says quietly.
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A pause.
"Ordinarily I wouldn't advocate trying to move you, but -- am I correct in thinking that when you're phased, your legs aren't actually bearing your weight?"
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Another beat, and carefully: "Do you know where you're going to, at this point?"
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Kitty blinks for a minute.
Blink again.
"...Serenity, I guess."
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He doesn't actually say good, but the sudden warmth in his tone does.
"I should mention that if you're going to insist on walking, it'll be longer before I can discharge you."
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"...It's impossible for anyone to carry you while you're phased. Of course."
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"I'll stay here. Really. I'll even only sneak out when you'll never find out."
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He says it lightly, but clearly meaning it.
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Her smile's a little crooked and not quite right, but it's a smile.
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When she sidles in, it's quiet, and nervous, and her eyes are wide in her pale face.*
Kitty?
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...Oh, right.
She promised Meg she'd be okay.
"Sorry," she says groggily as she blinks at the ballerina.
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Mostly because she's just about equally torn between telling Kitty she'd damn well better be sorry, and between telling her not to be stupid and apologize when she just got rescued from todash space. It is a tough decision, and either way there will be yelling, which is possibly not the best thing.
She settles for saying,* At least you're alive, *and it's fierce but quiet.
She's not crying, but she's close.*
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She's supposed, she thinks, to sound teasing with that.
That one's a little more than she can manage tonight.
"S'okay, Meg."
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It very nearly wasn't.
*She squeezes her eyes shut, and then opens them.*
Merde - when you're not half-dead, I am - I am going to yell at you for a solid straight three hours, until I lose my voice and can't anymore.
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Her smile's very, very crooked.
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*Meg doesn't smile back for a long moment; then she clenches her fists, and opens her eyes, and tries, because it seems better than not.*
Not like I have a performance paycheck to be suspended anyways - which means I'm free to spend all my time hanging around waiting on your every whim and driving you fou with constant overprotectiveness. Sound like fun?
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It kinda does.
"S'long as you don't expect me to dance for joy any time soon."
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But I want to be there when you do.
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"Sure."